Schedule
Video:
Oct. 31-cut due (Shannon)
Nov. 7-cut due(Shannon)
Nov 14-cut due(Shannon)
Nov 19/20(working around TG break)-cut due (Shannon and Dave)
Dec. 6-presentation to committee (time and location tbd)
(may not need a cut every week, but it might be nice to have a chance to talk about and look at how its going each week. When students do research papers, they give committee members a copy of the paper 16 days before their presentation….the cut that you and dave see on the 19 or 20 is this 16 day pre-final cut)
Written
Dec 6.-production binder due
(on the 31st we need to talk about everything that the binder should include-we determine the written aspect)
Monday, October 22, 2007
Thursday, September 13, 2007
TAPE 5: Service @ Bread of Life Center-food handout day
(not an exact tape log-eyeball estimates from camera time code, and most sections are made up of a variety of angles for whatever is listed)
00:00:00:00-00:03:33:00/ Lucia+Eudoxio lead singing
-00:04:58:00/ Congregation singing (from front)
-00:08:09:00/ Lucia+Eudoxio lead service-children leaving
-00:11:53:00/ Eudoxio preaching (from side door)
-00:12:29:00/ Food ticket handout
-00:13:35:00/ 3 men sitting outside
-00:15:58:00/ Lucia teaching children
-00:16:27:00/ Lucia+children return to service
-00:17:57:00/ Children singing
-00:19:30:00/ Eudoxio+Marcos review numbers-instructions for food
-00:20:34:00/ Forming line for ticket-food exchange
-00:22:33:00/ Food basket chaos (outside)
-00:24:14:00/ Food baskets (from inside)
-00:25:11:00/ Leaving with baskets 1
-00:26:24:00/ No more baskets
-00:33:13:00/ Personal responses to prject(7 in Port.)
-00:34:40:00/ Leaving with baskets 2
-00:39:06:00/ Leaving Dom Miguel (truck bed)
TAPE 4: V.R. Morning Service/159th anniversary parade
(not an exact tape log-eyeball estimates from camera time code, and most sections are made up of a variety of angles for whatever is listed)
00:00:00:00-00:01:50:00/ Breakfast-birthday cake
-00:03:08:00/ Church ext. 1
-00:14:29:00/ Service-Lucia(from back corner)
-00:15:34:00/ Service-Eudoxio(side door)
-00:19:48:00/ Service-Eudoxio(back corner)
-00:21:59:00/ Children’s Sunday School
-00:23:00:00/ “Old church”
-00:23:20:00/ Service-Lucia&Bel(back corner)
-00:27:13:00/ Song 1(from front)
-00:30:55:00/ Children
-00:34:12:00/ Song 2(from back)
-00:36:05:00/ Eudoxio&Lucia close service
-00:44:08:00/ Eudoxio greets cong. at door
-00:44:39:00/ Church ext. 2
-00:56:00:00/ Parade
TAPE 3: Dom Miguel Part 1
(not an exact tape log-eyeball estimates from camera time code, and most sections are made up of a variety of angles for whatever is listed)
00:00:00:00-00:07:39:00/ Bicycle delivery-Mosquita
-00:08:06:00/ Carrying baskets to truck
-00:09:31:00/ Sandra’s house
-00:10:07:00/ D.M. driving 1
-00:13:33:00/ House #1
-00:18:41:00/ Driving-House #2
-00:22:42:00/ Driving-House #3
-00:23:22:00/ Eudoxio + family in the street
-00:28:53:00/ D.M. driving 2
-00:30:03:00/ Riding in front/Eudoxio on neighborhood
-00:32:41:00/ D.M. driving 3 (from front)
-00:33:21:00/ house-horse&buggy-man chopping
-00:34:55:00/ D.M. driving 4 (from front)
-----------------------------------break in time code (oops pt.2)
00:00:00:00-00:05:57:00/ Eudoxio checking on manse-manse
-00:06:30:00/ B of L ext.
-00:14:48:00/ D.M. driving 5 (from truck bed)
TAPE 2: Campeao (grocery store)
TAPE 2: B-Roll---Campeao (grocery store)
(not an exact tape log-eyeball estimates from camera time code, and most sections are made up of a variety of angles for whatever is listed)
00:00:00:00-00:20:02:00/ Shopping for food to be included in food baskets
-00:20:14:00/ Campeo ext. 1
---------------------------------break in time code (oops)
00:00:00:00-00:16:24:00/ Food basket preparation
-00:17:30:00/ Marketing Manager (baskets in Portuguese)
-00:17:41:00/ Typed food list
-00:18:23:00/ Marketing Manager (bicycle in Portuguese)
-00:18:59:00/ Campeao ext. + Eudoxio entering store
TAPE 1: B-Roll---Tour of City
(not an exact tape log-eyeball estimates from camera time code, and most sections are made up of a variety of angles for whatever is listed)
00:00:00:00-00:00:57:00/ Heart of the city statue
-00:01:15:00/ Small city skyline (Hotel Gelps)
-00:02:00:00/ Old tree landmark:cars
-00:02:11:00/ Rio Verde sign
-00:02:50:00/ Highway driving
-00:03:19:00/ City driving 1
-00:03:29:00/ Old church city landmark
-00:04:51:00/ City driving 2
-00:05:18:00/ Jail (historic landmark)
-00:05:37:00/ Small city skyline 2
-00:13:17:00/ City driving 3 (rich neighborhood)
-00:16:45:00/ Jesus statue
-00:19:13:00/ City driving 4+University
-00:21:04:00/ Square
-00:21:24:00/ City driving 5 (square @ Hotel Victoria)
-00:29:36:00/ City from high rise apt-apt building-“cuidado” sign
-00:36:34:00/ “Rua Presidente Vargas”-Campeao (fom R.P.V)
Thursday, August 2, 2007
trip update
sorry it took me a little while to get you this update. we arrived safely without any problems tuesday evening. we spent yesterday recooping, and got to work this morning. i collected some b-roll from around the city, and this afternoon, we went to the gocery store that supplies the food for the dom miguel food baskets. i was able to follow eudoxio through the store as he made out his list. tomorrow we will go back to the store to watch them gather the food from todays list and wrap them together to make the food baskets. i forgot the wire to connect our camera to the computer so i guess you will just have to use your imagination until i get back.
Tuesday, July 3, 2007
Treatment
A man’s voice reads Matthew 25: 31-46 (“..when I was hungry you gave me food…”), while sitting in what appears to be a small chapel. We can’t seem to get a complete view of him or where he is. Just when it looks like we are going to get clear view, the image cuts to what appears to be a very poor neighborhood. As we watch the images cut back and forth between the chapel and neighborhood, we begin to have a few questions: Who is this man? Why is he reading this verse, and why is he in this chapel? And what is his relationship with this impoverished neighborhood?
Pao de Vida
Bread of Life
Fading in on an image looking down at a city, the words “Rio Verde, Goias” and “Brazil” appear over the picture. The same voice that was heard reading the verse in the film’s opening begins to describe the city. As he does so, images of the city are seen. We see the city’s “Heart of the City” statue, drive through a shopping district, gated communities, as well as seeing other iconic images from the city such as the city’s replication of Rio de Janeiro’s famous Christ the Redeemer statue. As he begins to bring his description of the city to a close, we see children playing soccer.
Because soccer is such a major part of life-rich or poor, this soccer game becomes the transition that takes us to Dom Miguel, a neighborhood on the outskirts of the city. Children in this neighborhood are also playing soccer, but their game is very different. Unlike the children we saw playing in the city, these kids are playing soccer barefoot on red clay. A woman’s voice begins describing this neighborhood. With her description we tour the neighborhood in same fashion as we did earlier when we were introduced to the city. We can now see that the images seen during the reading of the verse in the opening came from this area in the city. A small brick building stands out from the small make shift houses that we have seen. A sign sits outside the building that reads ”The Bread of Life Project” as the voice mentions their program that feeds and educates members of this community..
At this point, we are introduced to Lucia and Eudoxio Santos sitting together at their home back in Rio Verde. We now realize that these are the faces of the male and female voices that we have heard up to this point. We see them interact with each other through images, as they give us a brief history of what brought them together and how they got to this point in their lives.
In a small chapel, Eudoxio reveals that he is the chaplain of the Dr. Gordon Presbyterian Hospital. A white chapel sits on the hospital campus, and we begin to see that this was the location of the Bible verse reading in the opening segment of the film. Eudoxio continues to talk about his daily activities as hospital chaplain as we see him in action in the daily morning worship service that he leads for hospital staff. As he continues talking about his responsibilities, we learn that he is also the pastor of a church in Rio Verde as well as leading worship services at the Bread of Life center in Dom Miguel that we were introduced to in our short “tour” of Dom Miguel earlier in the film. Through his words and actions, we get a sense of the strong dedication that this man has for his community.
In a small office in the hospital, we go one on one with his wife Lucia. We learn that she too has number of daily responsibilities. As she talks, we see her working in her office and in a number of rooms in the hospital laboratory. As head of the laboratory, her days are tirelessly spent making sure that everything is running smoothly.
As they begin talking about their Bread of Life project, we hold the images in the back of out head of how busy their daily lives are, making it even more impressive that they make the time to run this food delivery program in Dom Miguel.
Food packets wrapped in cellophane are piled on their patio. As we hear about where this food comes from, we get a glimpse of the contents of these packets, and find it hard to believe that each of these packs will feed a family for one month. Several packs are loaded into the bed of his truck as we prepare to make a delivery run.
As we travel back to Dom Miguel, we get a more personal look at the neighborhood. Our short “tour” of the community earlier in the film only showed us the basic outlay of the neighborhood. As Eudoxio and Lucia interact with families, we are able have a more personal connection as we see and hear the impact that these two people are having on this community. Seeing the conditions that these families are living in help us to understand why the Santos, as busy as they are, feel so strongly about the commitment that they have made to this community.
This final act in the film that follows their work with their Bread of Life project is the most important act in the film. It is this act where we will see their interaction with members of Dom Miguel as well as hearing and seeing the impact that they are having. As the film closes, we will see that you can never be too busy have an impact on the lives of others.
.
Pao de Vida
Bread of Life
Fading in on an image looking down at a city, the words “Rio Verde, Goias” and “Brazil” appear over the picture. The same voice that was heard reading the verse in the film’s opening begins to describe the city. As he does so, images of the city are seen. We see the city’s “Heart of the City” statue, drive through a shopping district, gated communities, as well as seeing other iconic images from the city such as the city’s replication of Rio de Janeiro’s famous Christ the Redeemer statue. As he begins to bring his description of the city to a close, we see children playing soccer.
Because soccer is such a major part of life-rich or poor, this soccer game becomes the transition that takes us to Dom Miguel, a neighborhood on the outskirts of the city. Children in this neighborhood are also playing soccer, but their game is very different. Unlike the children we saw playing in the city, these kids are playing soccer barefoot on red clay. A woman’s voice begins describing this neighborhood. With her description we tour the neighborhood in same fashion as we did earlier when we were introduced to the city. We can now see that the images seen during the reading of the verse in the opening came from this area in the city. A small brick building stands out from the small make shift houses that we have seen. A sign sits outside the building that reads ”The Bread of Life Project” as the voice mentions their program that feeds and educates members of this community..
At this point, we are introduced to Lucia and Eudoxio Santos sitting together at their home back in Rio Verde. We now realize that these are the faces of the male and female voices that we have heard up to this point. We see them interact with each other through images, as they give us a brief history of what brought them together and how they got to this point in their lives.
In a small chapel, Eudoxio reveals that he is the chaplain of the Dr. Gordon Presbyterian Hospital. A white chapel sits on the hospital campus, and we begin to see that this was the location of the Bible verse reading in the opening segment of the film. Eudoxio continues to talk about his daily activities as hospital chaplain as we see him in action in the daily morning worship service that he leads for hospital staff. As he continues talking about his responsibilities, we learn that he is also the pastor of a church in Rio Verde as well as leading worship services at the Bread of Life center in Dom Miguel that we were introduced to in our short “tour” of Dom Miguel earlier in the film. Through his words and actions, we get a sense of the strong dedication that this man has for his community.
In a small office in the hospital, we go one on one with his wife Lucia. We learn that she too has number of daily responsibilities. As she talks, we see her working in her office and in a number of rooms in the hospital laboratory. As head of the laboratory, her days are tirelessly spent making sure that everything is running smoothly.
As they begin talking about their Bread of Life project, we hold the images in the back of out head of how busy their daily lives are, making it even more impressive that they make the time to run this food delivery program in Dom Miguel.
Food packets wrapped in cellophane are piled on their patio. As we hear about where this food comes from, we get a glimpse of the contents of these packets, and find it hard to believe that each of these packs will feed a family for one month. Several packs are loaded into the bed of his truck as we prepare to make a delivery run.
As we travel back to Dom Miguel, we get a more personal look at the neighborhood. Our short “tour” of the community earlier in the film only showed us the basic outlay of the neighborhood. As Eudoxio and Lucia interact with families, we are able have a more personal connection as we see and hear the impact that these two people are having on this community. Seeing the conditions that these families are living in help us to understand why the Santos, as busy as they are, feel so strongly about the commitment that they have made to this community.
This final act in the film that follows their work with their Bread of Life project is the most important act in the film. It is this act where we will see their interaction with members of Dom Miguel as well as hearing and seeing the impact that they are having. As the film closes, we will see that you can never be too busy have an impact on the lives of others.
.
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